A lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristóbal Peña, Gabriela Wiener, Leila Guerriero, Cristian Alarcón, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound.

My first and last love will always be fiction. It's the first thing I do in the morning and the last thing I do at night. I love the novel because it's like a love affair. You can just fall into it and keep going, and you never know where it's going to take you.

I do feel fortunate to have some knowledge of the great Latin American writers, including some that are probably not that well known in English. Im thinking of Jose Maria Arguedas, whom I read when I was living in Lima, and who really impacted the way I viewed my country.

Peru is a country where more than half the people would emigrate if given the chance. Thats half the population that is willing to abandon everything they know for the uncertainty of a life in a foreign land, in another language.

What I'm most interested in is not necessarily the wound, but the scar. Not how someone is wounded, but what the scar does later.

There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.

I guess in my own life I don't really think much about manliness too much. I feel like a lot of men that I know don't sit around thinking, "How am I supposed to be a man?" I don't think that I have to prove anything.