Normally it is not polite to go into somebody’s room without knocking, but you can make an exception if the person is dead, or pretending to be dead.

If only Uncle Monty knew what we know," Violet said, "and Stephano knew that he knew what we know. But Uncle Monty doesn't know what we know, and Stephano knows that he doesn't know what we know." "I know," Klause said. "I know you know," Violet said

I never thought about whether film is inherently more sincere, because certainly I think if Guy Maddin had directed A Series Of Unfortunate Events, there probably could have been more of the stage-y irony that is in the books. But I was just interested to see what people would do with it, and worrying that Brad Silberling wouldn't do what I had in mind.

I have produced things that I would say were sincerely cheerful. But then I am reminded by other people that no one else would see them that way.

The story of the Baudelaires takes place in a very real world, where some people are laughed at just because they have something wrong with them, and where children can find themselves all alone in the world, struggling to understand the mystery that surrounds them.

I decided that it might be interesting to have terrible things happen to orphans over and over again.

My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.