Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we're rebelling. Between teen movies and sex-ed textbooks we're so ready for our rebellious phase we can't help but feel it's safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.

I think if I were walking someplace and I saw a corpse my brain would tell me it was a million things before I believed it was a corpse.

I wore it, this careless thing you don't even remember giving to me from your bag. It wasn't a gift, this thing I'm returning. It was barely a gesture, almost forgotten already, this thing I wore like it was dear to me. And it was. No wonder we broke up.

It is very difficult to make one's way in this world without being wicked at one time or another, when the world's way is so wicked to being with.

Appearance matters a great deal because you can often tell a lot about people by looking at how they present themselves.

If you have ever had a miserable experience, then you have probably had it said to you that you would feel better in the morning. This, of course, is utter nonsense, because a miserable experience remains a miserable experience even on the loveliest of morning.

The way that the stories go in the Snicket books is just the way stories naturally go to me. They're full of misery, and yet the misery ends up being slightly hilarious. And in terms of the warnings on the back of the books, that really started as an honest assessment of their marketability.