It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.

It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.

I don't feel like the real, transcendental sound experiences I've had in my life have anything to do with intellect.

I think it's fair to say we're both in the business of self-obliteration through music.

If you really were aware of the Earth in a singular context, putting it into the perspective of the galaxy, for example, then you would see that it is not infallible, that it is just part of a much bigger system that is part of a much bigger system and onward.

I remember Massimo [Pupillo] sending me an email from Tibet saying he was up in a cave somewhere, being very still. We found we had lots of shared affinities that we'd never really talked about before.

The superabundance alludes to the myth that is ensuring our demise but it's also the space around and possibly the void that we enter into, beyond that delusion.