I think any man who says he has never had an awkward moment with a girl, is a liar or he's delusional because he's sitting there thinking he is doing really well and the girl is thinking "Who is this man and why is he talking to me?"

We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.

I haven’t always been thrilled with my work. But the fear of not proving the people wrong who think you can’t emerge from a franchise and do well, that’s a very strong driving force.

A friend often says I'm an old man in a young man's husk. I like that. I am old-fashioned in some ways.

There are two types of poets: People who write poetically about their lives, and poets that live poetically and write about it.

It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.

I think part of me would love to play a drag queen, just because it would be an excuse to wear loads of eye makeup.