It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.

When I get into trouble at school I'd like to take an invisibility cloak, drape it over me and sneak out the door. Or I'd like to have a 3 headed-dog because then no one would argue with me.

If you like the book, you'll hate the movie.

I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.

I still have issues around forgetting that it's my life and if I want to do something, I can do it.

The real challenge of acting for me, I suppose, is just getting to know a character very, very well and just applying what I know about them to every single scene. That's what it can be broken down to.

Stage is much more intimidating than going before the cameras, because you can really screw up, and can't do a retake.