I don't like stories that are too neat and too resolved. I think resolutions can be deadening for the reader.
Danzy SennaI was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.
Danzy SennaI guess the subject of race is so natural to me I never think of it as hefty. It's something I talk about and joke about and discuss with my loved ones every day of my life.
Danzy SennaI find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
Danzy SennaWriting New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
Danzy SennaIn terms of music, each novel is different but I usually find my way into an era through the music. In this novel the New People, I listened to a lot of 90s hip-hop, which was just so genius. Also, all the musical references in the book from the Peoples Temple one and only album to Luther Vandross.
Danzy Senna