I didn't read about it for school. It was just for myself. I was interested in cults in general but Jonestown was the most interesting of all the cults I studied.

I think about some of the novels I love - The Stranger, Disgrace, Quicksand and Passing, Giovanni's Room, The Talented Mr. Ripley. I think I'm more intrigued by characters who don't do the right thing and where we are allowed to identify with their shame/dishonesty/envy... whatever.

I'm not trying to be coy, but I think everyone notices these things like skin color but some people are more aware that they are noticing them than others, maybe. If that makes sense.

I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.

I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.

I think cults never stop being interesting and I'm intrigued by how we all do a tiny bit of submitting to a larger group - and how they can sneak up on you.

Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.