I'm just trying to be part of the movement that decentralizes and hopefully creates peace. By supporting smaller, democratic structures, you can effect change.

What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".

Hegemony is not defined by rivers or conventional borders - it's dominance, it's influence. So we get to decide in our hearts, are we in Iraq to help restore something, or are we there to establish dominance? How can you torture people and say, well, that's just a few bad apples in our culture?

A lot of the songs are pretty unmasked. If you listen to "As Cool As I Am," it's not all that different from what you were hearing from Ani DiFranco and some of the other indie women artists of the time. It was still in that context, still seen as folk music.

There's the wind And the rain And the mercy of the fallen Who say, "Hey, it's not my place To know what's right" There's the weak And the strong And the many stars that guide us We have some of them inside us

There's tons of anger and angst and peculiarity and eccentricity, and good towns know that that's okay. But towns that are kind of bullshit don't know what to do with all those feelings.

I think music is another language.