In general, the few directors that I've worked with that I really respect have taught me a lot about who I am and they've opened me up as an actor. I want to take some of that to apply it to when I'm directing actors.

I don't know if this is an illusion but I would love to be able to take my card-throwing skills and be able to puncture a watermelon. Now I know I can take this question and say, "I would want to solve the economic problems in the world" - but I want to stick that card in that watermelon.

On the flip side, no one has any idea who the hell I am. I felt like I had to prove myself to them. On any new project I'm working on, the first week is nerve-wracking, but especially with these people that I admire so much and who I just want to be equal with.

In terms of the production company, my brother and I are very drawn toward projects that do feel slightly outside the box. And at the same time are accessible enough that they could draw a slightly wider audience.

There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.

There's so much more freedom in film as far as subject matter and what can be said. And then, also, the process is different because there's more time. On movies there's just so much freedom and space to explore in front of the camera.

When I'm dating someone, if she bonds with my cats I'll give her a chance maybe more than I would otherwise. But if she doesn't like my cats it's kind of a deal breaker.