When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.

I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.

When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.

I'm not sure what theory is, unless it's the pursuit of fundamental questions.

My rejection of the idea of entertainment in its current form is based on the audience that comes with it.

Stories are different every time you tell them - they allow so many possible narratives.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.