Writing a novel, in an unplanned and unpredictable way, makes you engaged; it takes you into yourself, and it becomes something between you and the character for a moment, and then you move back into the structure of the book. I love those moments, because they are completely unbidden.

Here I am: a Russian-speaking Jew living in Canada, and you, an Indian ex-patriot living in San Francisco. All of a sudden we commune in this moment about a much older Russian political dissident.That's the human part of being human: feeling those moments.

I think there are differences between men and women. There is more of a softness to women than there is to men, especially when it comes to those more intimate emotions: feeling love, feeling familial connections.

I think having an uncompromising ideology eventually forces you out of the norm.

I think even with women who come across with a tough exterior, the interior is the same. I think you'll find this with women around the word: some women, because of their circumstances, are forced to be tougher, forced to cultivate tougher exteriors.

There are different types of readers. People draw lines at which three things intersect: the character, the author, and the reader.

Nothing is easy in writing. I don't think for anyone. But dialogue is probably what comes most naturally to me.