My sister was like my surrogate mother here, in Washington, with very much of the same persuasions as my mother. Even when friends came from home that I knew were more socially adaptable to the mores of the time, she would always caution me and say, "Be careful if you're going out with so and so because you know such and such a thing could happen." It was that kind of guardianship, and concern that imprinted me.
David C. DriskellWe were told, no, you don't do. There was this high standard of morals and a sense of responsibility. That didn't mean that everybody stuck to those laws, but we were cognizant of the importance of trying to live up to that code.
David C. DriskellMary O'Neal used to say that I was teaching her course in disguise, as she said "in cultural disguise." What she meant was that this really was a very fervent kind of civil rights art course, not altogether art history. It wasn't altogether theory. She called it an action course.
David C. DriskellIn 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
David C. DriskellEven when I became cognizant of this societal problem in this country, I asked my father and my mother if they knew anything that had been passed on to them, about slavery, and my father was very reticent about it. He often said, "No, I don't know anything about it, and it was bad, it was awful and it's over and we want to get on with our lives."
David C. DriskellI grew up with a sense of tolerance. I don't know that there was any talk about gender differences. It was respect for people. So when I became a professional and saw that there were a lot of differences in the sense of how people lived their lives, I became respectful of their territory, of their thoughts and their ideas, and it was never a problem for me to feel that this is my sister, this is my brother.
David C. Driskell