The Overman will himself be a nihilist in the (good) sense of rejecting any metaphysical or religious grounding for truth and value, but instead of curling up in despair, or simply going along with the crowd like the 'passive' nihilist, he will recognize himself as the sole source of truths and values to live by.

It would be through individual effort, inspired perhaps by reading Nietzsche's books, that the Overman might emerge, not through social or educational engineering.

Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.

It's one thing to assent to propositions like 'The way of things is ineffable', and quite another to internalise what it is being gestured at by such propositions, to get a sense or feel for mystery. For me, at least, it is in and through ways of engaging with nature that this sense is intimated. These ways include being in the garden.

There is something myopic and stunted in focussing only on the meaning of words and sentences. And this myopia is especially unfortunate when combined with a rather abstract view of a language as a set of elements and rules for combining these. For the result is to divorce enquiry into meaning from attention to the way words - and gestures, facial expressions, rituals and so on - are embedded in practices, in what Wittgenstein called 'the stream of life'.

One thing that attracts me in Daoism and Heidegger is a delicate combination of recognizing deep differences between human being and any other kind of being, and a desire, nevertheless, to cultivate an intimacy with animals, trees, mountains and so on.

My 'heroes' are those - like Chuang Tzu and Heidegger - who recognize that the world of experience is a human world, but recognize too that there is a 'way' or a 'source' to which our lives are answerable.