I like the fans’ sound at night. Do you? It’s like somebody big far away goes like: it’sOKit’sOKit’sOKit’sOK, over and over. From very far away.

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.

The point is that petty, frustrating crap like this is exactly where the work of choosing comes in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm going to be pissed and miserable every time I have to food-shop, because my natural default-setting is the certainty that situations like this are really all about me, about my hungriness and my fatigue and my desire to just get home.

A novelist has to know enough about a subject to fool the passenger next to him on an airplane.

In this country we're unprecedentedly safe, comfortable, and well fed, with more and better venues for stimulation. And yet if you were asked, 'Is this a happy or unhappy country?' you'd check the 'unhappy' box. We're living in an era of emotional poverty, which is something that serious drug addicts feel most keenly.

This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.

The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.