But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.

I mean if you draw you like drawing, it's er, an activity you do all the time actually.

I'm a bit claustrophobic, I don't like crowds, I live by the sea - that's what I see when I come out of my house in Bridlington.

I've always been interested in space in pictures. I think my going deaf increased my spatial sense, because I can't get the direction of sound. I feel that I see space very clearly, and that's because I can't hear it. So it's a compensatory thing.

A lot of people, given the chance, would blow up everything, and you and me.

When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'

The picture itself is a document. How do you mean? We're looking at a document. It gives you clues.