I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.

What I didn't know was I was deeply attracted to the big space.

The editing of moving pictures is geared toward the single image. You'd have to edit things in new ways.

In one gallery they actually had a notice which said No Sketching. How obnoxious! I said, How do you think these things got on the walls if there was no sketching?

I'm a very early riser, and I don't like to miss that beautiful early morning light.

Britain is a very small country with a very large press.

Nature, never, never let's you down, it's not a cliché, nature isn't a cliché, pictures might be, but you can get tired of pictures.