Halfway through Numbers, I got really jaded, and I had these unrealistic expectations about what Numbers could be. I thought it should be Emmy-nominated. I was in my mid-20s, so I was kind of shortsighted and silly.

I've always played Vash [in the Sausage Party]. I played him at the table read. We probably did five or six table reads over the course of the first five years of trying to get it made and finally getting it made. I saw a lot of actors come and go, but I stuck around, so I guess they were happy with what I was doing. No one could play a lavash wrap like I could.

That experience [in Hail, Caesar! ] ruined me for all future experiences, because the Coen brothers are the best. They're arguably the greatest of all time, if there is such a thing.

I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.

It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.

The Josh Brolin character in that movie [Hail, Caesar!], he's given a choice to leave, to do something where he wouldn't have to work as hard. And he'd rather work and deal with the madness of what he's doing because it thrills him, because it gives him meaning.

I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.