The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.

Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.

Basically we learned not ever to do a show like that [ Gigi Does It] again. That took me to a limit that I didn't know I had. First off, I show-ran the show and was the head writer. I had never done anything like that before. It was an immense responsibility.

To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."

I tried one [lavash], just because, I was like, "I should know what it is," once I got the part. And it's all right. It's like if a matzo and a flour tortilla had sex and had a baby. It's a dry flour tortilla.

I think we all feel lucky, or at least I feel lucky, to get to be in their [Seth Rogen and Evan Goldberg] movies, and I'm not going to lie, I've nudged them.