There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.

It was easy and fun [filming in Hail, Caesar!], and I think it's easy to be intimidated by the Coen brothers, because they're quiet. They don't heap praise, especially upon themselves. It's not like they're walking around thinking they're the greatest thing on Earth.

To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."

I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.

After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.

We smoked a lot of weed together [with Seth Rogen and Jason Segel]. Lonely potheads will literally spend every day with each other until they get a girlfriend. That's essentially what happened.

Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.