In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.

I've been with that project [ Sausage Party] since its inception, since they wrote the script. It took them four years to get anyone to make the movie, because it was so filthy and there was this firm belief that there wouldn't be a market for an adult animated film, even though 10 or 15 years prior, South Park [Bigger, Longer, And Uncut] did really well.

Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.

Addams Family blew my mind because it was the first time I was in L.A. and Hollywood, and I grew up a huge fan of movies.

After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.

I think ever since Numbers ended, I've been trying to find a way to get back in a situation like that. It was lovely to drive in traffic with other people going to their jobs every day.

I came away from that set [ Hail, Caesar !] super inspired, and like I said, it ruined all future endeavors. I'll never have as good an experience as that.