In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.

[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.

I think we all feel lucky, or at least I feel lucky, to get to be in their [Seth Rogen and Evan Goldberg] movies, and I'm not going to lie, I've nudged them.

We [me and Seth Rogen] have always wanted to work together. That was the whole point. We talked about it actively, and then we finally got the opportunity to do that, over and over again. It's kind of a dream come true.

In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."

It looks glamorous and wonderful, but it's a job like any other. And I think that's their humility coming through, Joel [Coen] and Ethan's [Coen] humility. I think they really believe they are tradesmen, craftsmen, and they're just pursuing their trade, their craft, and doing the best they can with it.