In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.

First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.

I had no idea I was hot. I was just like, "Oh, this is normal. You make two movies a year. This is easy." And of course, I have since learned that acting has its periods of unemployment, and ups and downs. The first five years were really good to me.

I was sent this thing called 10 Things I Hate About You, which I thought was really sweet and female-centric and kind of cute and smart, with a really smart script. So I auditioned for it and got it, and I'm really glad I did, because the movie has a life of its own.

[Gigi Does It show] flew so drastically under the radar. I kind of hold it in my back pocket as this thing that I got the opportunity to do that no one really knows I did and that I'm really proud of.

The only lesson I really learned from [Gigi Does It] was that I shouldn't bite off more than I could chew. I've written a bunch of scripts and stuff - every actor has - and that was the first thing that got made.

The freedom of knowing that you're doing something off-kilter is liberating.