In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.

That's basically what I did every weekend when I was a kid, just go and see two movies per weekend.

I had no idea I was hot. I was just like, "Oh, this is normal. You make two movies a year. This is easy." And of course, I have since learned that acting has its periods of unemployment, and ups and downs. The first five years were really good to me.

We had very, very, very little money to make the show [ Gigi Does It]. We shot every episode in two days. It was non-WGA, non-DGA, so we couldn't write anything. The whole thing had to be improv.

I was sent this thing called 10 Things I Hate About You, which I thought was really sweet and female-centric and kind of cute and smart, with a really smart script. So I auditioned for it and got it, and I'm really glad I did, because the movie has a life of its own.

Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.

Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.