And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.

When someone breaks up with you, their beauty-- which you took such satisfaction in-- suddenly becomes unfair.

I love you-I do-but I am afraid of making that love too important. Because you're always going to leave me, A. We can't deny it. You're always going to leave.

Now when I have to remember a date, all I have to do is consult my rap sheet.

It's one of the secrets of strength: We're so much more likely to find it in the service of others than in service to ourselves.

Deep breaths. I am taking deep breaths. Composure. Which, for me, means composing... Maybe this is my way of creating the illusion of control over something I have no control over. Like, if it's just a story I'm telling or a song I'm singing, then I'll be okay because I'm the guy who's providing the words.

It daunted me that you were so beautiful, that you were so at ease in social situations, as if every room was heliotropic, with you at the center. And I guess it daunted you that I had so many more friends than you, that I could put my words together like this, on paper, and could sometimes conjure a certain sense out of things. The key is to never recognize these imbalances. To not let the dauntingness daunt us.