You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.

I've been alienating my public since I was 20 years old.

The realization that I came to is that each citizen for himself or herself understands the economics, which is, "I better make more than I spend and I better put something aside for a rainy day, and I want to get a good idea about what to do with the surplus so that perhaps it can grow while I'm sleeping." And that that's capitalism. Everybody practices it, but half of the country - those on the left - deny that it's true.

Make the audience wonder what's going on by putting them in the same position as the protagonist.

We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a protective monastery of aesthetic truth. It is a place where everything is incredibly expensive.

I didn't knowingly meet a conservative until, to my shame, I was 60 years old and sat down and said, 'Wow, I don't understand what this guy's talking about, but he has a great civility about him. Perhaps I better investigate this thing.'

I won't ever do e-mail.