You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.

My dad was an immigrant kid and a Democrat and a Jew, and we didn't know any Republicans in our group. So I grew up Democratic. My dad was a labor lawyer - a very hardworking guy, a one-horse labor lawyer - and then I went to hippie college and lived in the bubble.

Where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?

You got an all-out prize fight, you wait 'til the fight's over, one guy's left standing and that's how you know who's won.

If you're neurotic and you think, I'm not where I deserve to be or my mother didn't love me, or blah, blah, blah, that lie, that neurotic vision, takes over your life and you're plagued by it 'til it's cleansed. In a play, at the end of the play, the lie is revealed. [T]he better the play is, the more surprising and inevitable the lie is, as Aristotle told us. Plays are about lies.

Obama is a tyrant the same way FDR was a tyrant. He has a view of presidential power that states: the government is in control of the country, and the president is in charge of the government. He's taken an imperial view of the presidency.

Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.