I do think how two people dance with each other is indicative of how they feel about each other. It can tell a lot more than a verbal scene.

When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

There's a nimble quality to the way a television actor can work. When that muscle gets strong it's a very valuable thing.

Asher means 'happy and blessed' which embodies my eldest. Caleb means 'stubborn and tenacious dog' and I can't even tell you how much that is my little boy! It was a useful warning.

I was sometimes called 'coconut' when I was at school.

I feel television is in a fantastically rich vein of what it's presenting both by opportunity to actors and to audiences.