Female directors, directors of color are a big thing for me, which are both important voices and potent voices that need to be heard. That's how I want to engage myself as an actor going forward.

There is still a fundamental misunderstanding, when it comes to observing that when someone is black and someone is white, then that difference is enough to warrant the idea that they shouldn't be together. We are so much more alike in nature than we are different, and my ambition with the roles I choose to do is to break down that prejudice, by showing how much I - as a man - am just a man.

I do think how two people dance with each other is indicative of how they feel about each other. It can tell a lot more than a verbal scene.

Whether we like to admit it or not, as artists, we do project our own worldview on to what we do.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

The thing that would probably surprise most people was that Dr. Martin Luther King was a very reluctant leader. He felt very shocked at times that he had been chosen for this path, but he also understood that he was chosen for this path. He had several moments of acute doubt as to if he was up for the task - when people were injured in the protests he took it very personally, let alone when they were killed.

There are many, many communities, many ethnic minorities, many civilizations that have been brutalised by others and you have to move on. You cannot perpetually stay in that place of blame, otherwise it's just a downward spiral.