I have very limited craftsmanship. And a lot of the stuff I make plays on that.

I don't want to be one of these people who's like, "Man, I don't know where my ideas come from and I don't know why this works."

The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.

I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.

I've always liked Richard Pryor. I've always responded to rhythmic profanity.

Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.

The time that I would spend revisiting my old Get Your War On strips is more profitably spent Googling myself and reading comments about how people hate my pencil-sharpening business.