I wanted to get paid to sharpen pencils originally just because I thought it would be fun.

The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.

I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.

I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that.

I assumed that the pencil market was collapsing, but then it turns out that from 2010 to 2011 in the United States, pencil consumption went up by over six percent. I mean, those are all foreign-made pencils. Those are probably Chinese pencils, mostly, and Mexican pencils. I mean, it is an archaic communication technology, but it is still ubiquitous.

Any working cartoonist will tell you this, anybody who's working in a creative field: at some point, it's a job. You have deadlines. I think, for over a year, I refused to make them for publications, because I only wanted to make them when I wanted to make them. But at some point, I was like, "This is crazy, you have an opportunity to be a professional cartoonist.

Everyone has pencils in their house, no matter how hip and contemporary they are.