I guess my guilty pleasure would be listening to the British audio versions of the 'Harry Potter' books.

The good thing about being gay, though, I always believed, is that you didn't make anyone go to a wedding. Nobody wants to go to a wedding. Nobody. It kind of bothers me now that you have to go to gay weddings, too. I don't care. It's still a wedding. And I would give anybody double gifts if they would elope.

It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.

Up close the city constitutes an oppressive series of staircases, but from a distance it inspires fantasies of wealth and power so profound that even our communists are temporarily rendered speechless.

People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American.

I started writing when I was twenty. My first book came out when I was thirty-five. But I never expected that it would happen quickly.

I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.