Because I've always been a fairly nervous person.

I had paid for my folly and, as a reward, was invited to take part in the nest builder’s performance piece. The script was great. ‘When I bleat here, do you want me to just bleat or to really let go and “bleat, bleat”?’ I asked. ‘I feel like “bleat, bleating,” but if Mother/Destroyer is going to be crawling through the birth canal of concertina wire, I don’t want to steal focus, you know what I mean?

I've always been very upfront about the way I write, and I've always used the tools humorists use, such as exaggeration.

I've maintained old friendships, like with people I knew in the nineteen-seventies, but have lost the knack for meeting new people. This has a lot to do with my writing schedule. I don't want to be disturbed, and the willingness to be disturbed is, I think, part of being a good friend.

If you aren't cute, you may as well be clever.

Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor.

There is a reason there is no such thing as a folk writer. But to be a writer you have learn what it takes to captivate a reader in order to make them turn the page. And in order to learn that, you have to read.