There's no such thing as a folk writer. There's no such thing as somebody who's never read a book before suddenly sitting down one day and writing one. You have to learn how to captivate a reader. Right? And I don't mean you have to go to school for it. But if you're - if you pay attention, you can learn it by reading books. And so I feel like I learned a lot by reading books.

I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.

Sometimes the sins you haven't committed are all you have left to hold onto.

My sister Tiffany told me years ago, 'You can never write about me.' Then she called six months ago and said she wanted to be in a story. She was worried people thought I didn't like her.

I don't worry about being exposed. When I'm writing about myself I think about myself as a character. There is a ton of stuff going on in my life that I don't write about. If I need to write that stuff down, I write about myself in my diary.

They're hungry for something they know nothing about, but we, we know all too well that the price of fame is the loss of privacy.

I've never made up events, but I've always been a big exaggerator. It's written on my humorist license that I'm allowed to do that.