I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.
David SedarisHugh consoled me, saying, "Don't let it get to you. There are plenty of things you're good at." When asked for some examples, he listed vacuuming and naming stuffed animals. He says he can probably come up with a few more, but he'll need some time to think.
David SedarisMost people would have found it grotesque, but when you're in love nothing is so abstract or horrible that it can't be thought of as cute.
David SedarisAnd one of the things I noticed pretty early on in art school was that my classmates had no notion of an audience. Right? I mean, growing up with the mother that I did, I learned that when you walk into the dry cleaners, there's an audience waiting for you. You know, maybe it's just the person behind the counter.
David Sedaris