My interest really is psychology, what's going on in people's minds as revealed on their faces and in their posture. That is my strength. And it's something that came from probably being a silent observer for most of my life and having to read what was going on in people's minds from only their postures or from their expressions.

.... When you have no voice, you don't exist

I think drawing is really the basis of all art, even sculpture, film. The greatest filmmakers have always been able to at least roughly sketch out their ideas in storyboards. And black and white in particular is a good place to start.

Russell Hoban created a tremendous marriage of characters and philosophy. The plots, the wind-up toy characters, the settings, they all work together to support basically a dark vision that the world is kind of a dump. And we all have to find our ways of surviving in it and of making it a better place. It's a world where we don't have much help, other than what we bring to the table. It's a world in which brotherly love counts more than anything else.

Leaders of the world, my message to you is simple: to achieve universal peace and understanding on this planet you have only to speak plainly, even though you may look foolish. This is a thousand times better than looking good and talking nonsense.

The odd thing about recurring dreams is that, no matter how many times you dream the same thing, it always takes you by surprise.

There are just certain things you can't talk about with kids. I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk. Kids are kids; they're innocents, they really are. For a long time, no matter what they see, no matter what they're exposed to, they can't get it until they have developed enough.