I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."

I wasn't allowed to go to movies when I was kid; my father was a minister. 101 Dalmatians and King of Kings, that was the extent of it.

Michelle Pfeiffer hasn't been finding a lot of work recently because she doesn't like what a woman her age is offered. That's a real double standard. You get Sean Connery, who gets older and older, still playing opposite young ladies, but it doesn't work the other way around.

I say luck is when an opportunity comes along and you're prepared for it.

I've always seen it to be a privilege to make movies. It's a really expensive, creative medium.

When we shot "Cry Freedom," I wasn't even allowed in South Africa. They told me I could come but I wasn't going to leave. I had heavy death threats at that time. So we shot in Zimbabwe. In 1995, I had the privilege and the honor to meet Desmond Tutu and Nelson Mandela the same day: I had breakfast with Desmond Tutu and lunch with Nelson Mandela. Then I had the good fortune to have Mr. Mandela actually come to my house in California. There's been a tremendous amount of change.

People tend to relax when they're off camera. That's when they should be working the hardest.