When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.

I remember my mother and father arguing about light bulbs because my father thought he could save money by putting 25-watt bulbs instead of 60-watt bulbs and my mother was trying to explain to him that her children needed to learn to read so that they could go to college. He couldn't see that.

Do what you have to do, to do what you want to do.

I know, as an actor, I don't like sharing everything with the director. And it's fine if they don't with me.

It could be that it's not that different. Circumstances, no matter what the color is, could be similar.

I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."

Come on, I know bad acting when I hear it.