I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.

Juno MacGuff: [yelling through the house] Dad? Mac MacGuff: What? Juno MacGuff: Either I just peed my pants or um... Mac MacGuff: *Or*...? Juno MacGuff: THUNDERCATS ARE GO!

Juno: Honest to blog?

I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

I've come to find more satisfaction and enjoyment in writing screenplays over the years because that's what I do primarily now.

Now '90210' is returning with an all-new cast of slightly more plausible teens. I'll be honest: I wish the old cast was back. Ideally, this spin-off would be an Ice Storm-esque exploration of the West Beverly gang's bleak adult lives.

Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.