Of course, the strippers also take pains not to appear too innocent, valorous, or bookishly inclined. (In direct opposition to the Swayze Mandate of 1987, everybody puts Baby in a goddamn corner.)

I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

Unfortunately I don't live by a Target now, so I just go to a regular Starbucks as opposed to a Starbucks nested inside a Target, which is my ideal situation. That works out for me. I like that white noise, those interruptions, and the people around me.

I've come to find more satisfaction and enjoyment in writing screenplays over the years because that's what I do primarily now.

I want Maggie Gyllenhaal. I don't know why. I don't think she necessarily looks like me or acts like me, I just think she's a cool actress and she could play me, so there you go.

I'm one of the people that were divorced by 30, which is apparently a growing group... Obviously it's something that affects you forever. It's going to be interesting to see in ten, twenty years what kind of lasting effect young divorce has on the people that are doing it because it's becoming more and more common.

Hollywood is a perpetual summerland, a temperate, godless yaw where the very word 'season' has been co-opted by television executives. There are few harbingers of winter here.