This is for the writers. I want to thank all the writers. I especially want to thank my fellow nominees because I worship you guys and I'm learning from you every day.

The stuff I write isn't strictly autobiographical, but it's personal, if that makes any sense. It draws all these little incidents and people out of my life and then contorts them.

I am a karaoke purist and I don't like that. I don't think it's enough for you to just be there with your friends singing. I think you need to be in front of a crowd of hostile strangers for it to truly count.

I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

There's this double standard that exists and it really frustrates me. If a woman chooses to work, people say, "Oh it's so sad that you're not at home with your children." But no one ever says that to a man because it's assumed that the man is going to be the provider.

Stripping toughened my hide, but exposing myself as a writer has been a lot more brutal.

I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.