Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.

I myself identify as a recovering Blockhead. You'd be surprised how many twenty- and thirty-something hipster chicks have the NKOTB skeleton in their closet, albeit artfully concealed by stacks of Ksubi skinny jeans and ironic Judas Priest T-shirts.

If I want to get a taste of beach culture, I'll fire up my season 2 DVD of 'Beverly Hills, 90210.'

When you're in a competitive environment, always give out the impression that you don't care. It makes people want you more. If you act desperate, it's over. I think a passive attitude is helpful. It comes naturally because I'm lazy.

I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.

I'm a pessimist by nature. I don't think things are ever going to work out, I'm not particularly ambitious.

The things that I write are autobiographical in a surreal sense, like when you have a dream and you go to the doctor's office, but then you turn around and it's actually your childhood home and the doctor has turned into Ryan Reynolds.