The camera is cruel, so I try to be as good as I can to make things even.

One of the risks of appearing in public is the likelihood of being photographed.

I used to have this notion when I was a kid that the minute you said anything, it was no longer true. Of course it would have driven me crazy very rapidly if I hadn't dropped it, but there's something similar in what I'm trying to say. That once it's been done, you want to go someplace else. There's just some sense of straining.

What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.

There are an awful lot of people in the world and it's going to be terribly hard to photograph all of them... It was my teacher Lisette Model who finally made it clear to me that the more specific you are, the more general it will be.

When you're growing up your mother says, "Wear rubbers or you'll catch cold." When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.

My favorite thing is to go where I've never been.