Prodigy only feeds on prodigy, fantasy on fantasy.

I was born knowing that I had to be a painter, because my father, an art historian, always presented painting as the only acceptable thing in life.

I haven't even ever wanted to distort. I isolate and represent.

The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.

Prodigy only feeds on prodigy, fantasy on fantasy.

An audience is perhaps unnecessary to the soul-searching mystic, but it is vital to the magician, the maker of prodigies.

For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.