Only thanks to Pop Art, my painting has become understandable.

You begin looking at things and they look just fine, as normal as ever, but then you look for a while longer and your feelings get involved and they begin changing things for you and they go on and on till you only see your feelings, and that's why you see this mess.

I am metaphysical inasmuch as I am looking for a non-eloquent painting, immobile and of atmosphere, which feeds on static situations.

Life can be considered as a huge wardrobe, with so many dominos hung in its cupboards, one domino per year. Now I don't see why I couldn't change my mask in this wardrobe even twice a day.

My themes are derived from current events, from familiar situations, from daily life, because I never actively intervene against the object, I can feel the magic of its presence.

If an artist has the possibility to contact an infinitely larger public through the pages of a publication, he should try to invest more rather than less and go as far in his effort to communicate his inner image as he can.

Prodigy only feeds on prodigy, fantasy on fantasy.