Only thanks to Pop Art, my painting has become understandable.

I am metaphysical inasmuch as I am looking for a non-eloquent painting, immobile and of atmosphere, which feeds on static situations.

An audience is perhaps unnecessary to the soul-searching mystic, but it is vital to the magician, the maker of prodigies.

All I know is that mine was a completely new theory about art, a new approach that made the pictures appear just like life does.

You begin looking at things and they look just fine, as normal as ever, but then you look for a while longer and your feelings get involved and they begin changing things for you and they go on and on till you only see your feelings, and that's why you see this mess.

Prodigy only feeds on prodigy, fantasy on fantasy.

For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.