For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.

I never lost the taste and craft of the Renaissance.

I am metaphysical inasmuch as I am looking for a non-eloquent painting, immobile and of atmosphere, which feeds on static situations.

I couldn't get used to the community and social life of a theatrical set designer.

You begin looking at things and they look just fine, as normal as ever, but then you look for a while longer and your feelings get involved and they begin changing things for you and they go on and on till you only see your feelings, and that's why you see this mess.

Life can be considered as a huge wardrobe, with so many dominos hung in its cupboards, one domino per year. Now I don't see why I couldn't change my mask in this wardrobe even twice a day.

An audience is perhaps unnecessary to the soul-searching mystic, but it is vital to the magician, the maker of prodigies.