You begin looking at things and they look just fine, as normal as ever, but then you look for a while longer and your feelings get involved and they begin changing things for you and they go on and on till you only see your feelings, and that's why you see this mess.

I never tried to stage, to fabricate an image.

All I know is that mine was a completely new theory about art, a new approach that made the pictures appear just like life does.

I never lost the taste and craft of the Renaissance.

I haven't even ever wanted to distort. I isolate and represent.

You begin looking at things and they look just fine, as normal as ever, but then you look for a while longer and your feelings get involved and they begin changing things for you and they go on and on till you only see your feelings, and that's why you see this mess.

If an artist has the possibility to contact an infinitely larger public through the pages of a publication, he should try to invest more rather than less and go as far in his effort to communicate his inner image as he can.