Well, there's a morality in that you want your work to be good, I suppose.

The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.

But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.

Color, to continue had to occur in space.

Art and architecture - all the arts - do not have to exist in isolation.

It takes a great deal of time and thought to install work carefully. This should not always be thrown away. Most art is fragile and some should be placed and never moved again.

In terms of existing, everything is equal.