I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.

Michael Koryta is an amazingly talented writer, and I rank The Prophet as one of the sharpest and superbly plotted crime novels I've read in my life.

I've always been a bit of a pessimist in regard to mankind.

I don't really think the outburst is recent; there have always been writers in Appalachia.

I think some people at Doubleday worried about that a bit when Knockemstiff came out, but, with the exception of one or two people who complained that I didn't do justice to the many good people who lived in the holler, most of the local objections have been aimed at the violence and foul language.

I really have no idea where the darkness comes from. Other writers have said that there are two subjects worth writing about, love and death; and since I'm a complete flop when it comes to love, I chose death. Too, maybe because of where I came from, I do find it easy to empathise with and write about certain groups of damaged or downtrodden people: the poor, the addicted.

The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon.