From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker.

There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.

A lot of Chinese martial arts films were based on Chinese martial arts novels. And these novels created a world of putting history, calligraphy, and martial arts into one.

I guess I'm pretty lucky because in childhood I studied so many martial arts styles and I never stopped researching them, my body is very adjustable and I can turn into different expressions with my body.

When you watch my films, you're feeling my heart.

I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.

I certainly hope 'Dragon' can leave some legacy behind.