One should really use the camera as though tomorrow you'd be stricken blind.
A documentary photograph is not a factual photograph.
We know by now how to photograph poor people. What we don't know is how to photograph affluence - whose other face is poverty.
The good photograph is not the object, the consequences of the photograph are the objects.
Photography takes an instant out of time, altering life by holding it still.
I had to get my camera to register things that were more important than how poor they were--their pride, their strength, their spirit.