I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.

At best doing art you feel like you're led by something that doesn't involve you.

You can always find the sample that covers what you're hearing, but barely...it allows me to really concentrate on words.

Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.

I MAY NOT BE MUCH ELSE IN THIS WORLD BUT I GUARANTEE YOU I AM GETTING INTO RAPPER HEAVEN.

That was how I got into music and art was being a battle kid from Jersey, so I didn't have these wonderful ways of learning commitment, dedication, practicing skill.