I know what love is because I lost it at an early age.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.

You can always find the sample that covers what you're hearing, but barely...it allows me to really concentrate on words.

Recording is a lengthy process, but onstage it's completely different; tape is not running - life is running, and cannot be rewound.

I've been writing a lot about just the aspects of luck and being picked, and how of course it's always how one perceives themselves in the world, as a bit of a scapegoat or a bit of a hero. Everyone generally has about a 60/40 split that volleys, between those two.

I love the inappropriateness of age-old wisdom in modern slang. These things are all so wonderful to me.