With freestyling it's not about "Say something funny!" That has nothing to do with it. It's about becoming quicker on your feet and knowing that your entire day can go into your rap if you're on it.

Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.

I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.

I've always been aggressive and an underdog, and my dad was worried that I would always be that: constantly seeking inspiration from negativity.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

I'm not the kind of artist that wants to get a sound, refine it, and do it 'til I'm 50 so that it's the purest amber of my one way.

I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.