Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

I MAY NOT BE MUCH ELSE IN THIS WORLD BUT I GUARANTEE YOU I AM GETTING INTO RAPPER HEAVEN.

I've been writing a lot about just the aspects of luck and being picked, and how of course it's always how one perceives themselves in the world, as a bit of a scapegoat or a bit of a hero. Everyone generally has about a 60/40 split that volleys, between those two.

A lot of artists make art for five years, some artists make art for ten years, a few make art for fifteen: very few do it until they die.

I can deal with all the pangs of having to find money in 20 different places because you don't really reap the whirlwind with this cutting-edge music.

What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.