Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.

Recording is a lengthy process, but onstage it's completely different; tape is not running - life is running, and cannot be rewound.

I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.

I've been writing a lot about just the aspects of luck and being picked, and how of course it's always how one perceives themselves in the world, as a bit of a scapegoat or a bit of a hero. Everyone generally has about a 60/40 split that volleys, between those two.

A lot of artists make art for five years, some artists make art for ten years, a few make art for fifteen: very few do it until they die.

I love the inappropriateness of age-old wisdom in modern slang. These things are all so wonderful to me.

Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.